![]() Dutoit treated Britten’s large-scale set of variations with all the care and attention he might bring to La Mer, with acute balancing and sure transitions that deftly brought out the wit and humor of the work. This is a wonderful work that transcends its tutelary origins and Britten’s finest nonvocal work for orchestra (granted, there aren’t many). Written for an educational film in 1946 (and right after Peter Grimes), Britten’s clever orchestral showpiece hasn’t been heard at Orchestra Hall since Sir Georg Solti conducted it in 1978. That he did in characteristically firm and impressive fashion, and, indeed, Thursday night’s performances brought some of the finest playing of the season from the orchestra across all departments.Ĭertainly, the gleaming and terrific performance of Britten’s Young Person’s Guide to the Orchestra offered the ensemble an ideal chance to shine corporately and individually with every principal-even harp and tuba-getting a moment in the solo spotlight. Charles Dutoit led the Chicago Symphony Orchestra in music of Britten, Walton and Beethoven Thursday night at Symphony Center.Ĭharles Dutoit couldn’t have arrived in town at a more opportune moment.Īfter the rough-and-not-so-ready performance of Mahler’s Third Symphony by the Chicago Symphony Orchestra last week, it was fortuitous that the Swiss taskmaster was here to reset the machine and get the CSO back on track. ![]()
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